Wild Things: A Place Unknown: David Laity
Lennox St. Gallery presents Wild Things: A Place Unknown, an exhibition of recent paintings by David Laity.
Paintings within the current exhibition continue the artist’s ongoing exploration of the two parallel themes within his oeuvre: the nude and the environment.
Laity’s background as a professional cartoonist is seen in the laconicity of shape and form. The focus on the silhouette against the uncluttered abstracted backgrounds gives his images immediacy and clarity.
While the limited colour palette also references his background as a graphic artist, it is also reflective of his fascination with the dominant colour schemes of the 1950s.
The 1950s were the era when, after the end of the Second World War, women replaced men in the workforce—hence the empowering uniformity of frocks and coats within the paintings. Within the privacy of the domestic setting, the sensuality reigns supreme and the individuality is regained.
The second tranche of the exhibition focuses on David’s immediate surroundings. His home and studio are located on the outskirts of Benalla in regional Victoria, where the interactions between the artist and the local flora and fauna are regular and spontaneous.
Collectively, the works reflect concerns about the environment, conservation, and regeneration. The life of the artist can be a lonely experience, especially in the context of the recent lockdowns and travel restrictions. These sentiments are expressed in this exhibition through the paintings of dogs and skulls, both a long-standing synecdoche for the artist’s self-portraits.
David's use of Hessian fabric imbues the work with sensuous texturality, while the build-up of pigments gives his paintings rich saturation and warm glow.
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David LaitySpank Club, 2010Oil on Hessian on Board117 x 210 cm -
David LaityLinoleum, 2008-2015Oil on Hessian on Board140 x 150 cm -
David LaityFactory Girl, 2009Signed, inscribed and dated "Factory Girl 09, David Laity" on reverseOil on hessian204 x 87 cm -
David LaityScreen Door, 2020Oil on Hessian on Board180 x 75 cm -
David LaityWinter Suprise (June), from Calendar Girl series, 2021Oil on Hessian on Board122 x 110 cm -
David LaityRain, 2021Oil on Hessian on board80 x 140 cm -
David LaitySprinkler Girl, 2021Oil on Hessian on Board100 x 115 cmSold -
David LaityTurkish Bath, 2021Oil on Hessian on Board110 x 105 cm -
David LaityDirty Thoughts, 2020Oil on Hessian on Board85 x 180 cmSold -
David LaityWild Thing, 2019Oil on Hessian on Board100 x 100 cm -
David LaityBalcony, 2018Oil on Hessian on Board100 x 100 cm -
David LaityWaiting, 2013Signed, inscribed and dated "Waiting, David Laity 1958-- Signed" on reverseAcrylic on hessian50 x 140 cm -
David LaityLover, 2017Oil on Hessian on Board120 x 45 cm -
David LaityFactory Girl, 2021Oil on Hessian on Board120 x 50 cmSold -
David LaityGreat Escape, 2020Oil on Hessian on Board120 x 56 cmSold -
David LaityAnything Goes, 2021Oil on Hessian on Board90 x 52 cmSold -
David LaitySelf Portrait... Future Self, 2018Oil on Hessian on Board100 x 100 cm -
David LaityThe End, 2017Oil on Hessian on Board60 x 60 cm -
David LaityCloud Skull, 2020Oil on Hessian on Board55 x 55 cm -
David LaityNever tear us apart , 2021Oil on hessian on board31 x 62 cm -
David LaityDog, 2019Oil on Hessian on Board90 x 90 cm -
David LaityInto each life some rain must fall, 2016Oil on Hessian on Board46 x 60 cmSold -
David LaityYabby, 2020Oil on Hessian on board90 x 75 cm -
David LaityLittle Octopus, 2020Oil on Hessian on Board75 x 100 cm -
David LaityRabbit Head, 2017Oil on Hessian on Board110 x 47 cm -
David LaityWild Flowers, 2019Oil on Hessian on Board90 x 90 cm -
David LaityBlack Wood, 2016Oil on Hessian on Board80 x 95 cm -
David LaityThree Sisters, 2016Oil on Hessian on Board90 x 110 cmSold -
David LaityStorm Bringer, 2018Oil on Hessian on Board67 x 110 cm -
David LaityRiders on the Storm, 2017Oil on Hessian on Board50 x 90 cm -
David LaityRed Rocks, 2018Oil on Hessian on Board100 x 50 cm -
David LaityWild Flower, 2009Oil on Hessian on Board50 x 80 cm -
David LaityCicada, 2017Oil on Hessian on Board40 x 40 cm -
David LaityRising, 2017Oil on Hessian on Board60 x 60 cmSold -
David LaityFly Away Home, 2020Oil on Hessian on Board55 x 48 cmSold
David Laity's recent paintings continue the artist’s ongoing exploration of the two parallel themes within his oeuvre: the nude and the environment.
Laity’s background as a professional cartoonist is seen in the laconicity of shape and form. The focus on the silhouette against the uncluttered abstracted backgrounds gives his images immediacy and clarity.
While the limited colour palette also references his background as a graphic artist, it is also reflective of his fascination with the dominant colour schemes of the 1950s.
The 1950s were the era when, after the end of the Second World War, women replaced men in the workforce—hence the empowering uniformity of frocks and coats within the paintings. Within the privacy of the domestic setting, the sensuality reigns supreme and the individuality is regained.
The second tranche of the paintings focuses on David’s immediate surroundings.
His home and studio are located on the outskirts of Benalla in regional Victoria, where the interactions between the artist and the local flora and fauna are regular and spontaneous. Collectively, the works reflect concerns about the environment, conservation, and regeneration.
The life of the artist can be a lonely experience, especially in the context of the recent lockdowns and travel restrictions. These sentiments are expressed through the paintings of dogs and skulls, both a long-standing synecdoche for the artist’s self-portraits.
David's use of Hessian fabric imbues the work with sensuous texturality, while the build-up of pigments gives his paintings rich saturation and warm glow.
The Wangaratta-born painter, sculptor, and graphic artist, David Laity began his career as a cartoonist in the 1980s, publishing regularly in regional and metropolitan periodicals. His graphic oeuvre garnered him a curatorial following with survey exhibitions in the Benalla and Shepparton regional galleries and a publication of a monograph, ‘It’s a Rat Race’. Focusing from the 1990s on painting and sculpture, Laity launched his exhibition career with the iconic Jackman Gallery in St Kilda. His highly individual, memorable, and immediately recognisable images have garnered a collectors' following, and his works have been acquired by a number of public, corporate, and private collections.
