Marie Hagerty b. 1964

Overview

... "Marie Hagerty is a painter of elegant abstract canvases with restricted palette [...] but within those self-imposed boundaries she plays with shadows that create the illusion of three-dimensional forms"...

The Sydney-born, Canberra-based Marie Hagerty, painter, sculptor, and teacher, has been exhibiting regularly since the late 1980s in Canberra, Sydney, and Melbourne. She was the subject of solo survey exhibitions at Canberra Museum and Art Gallery in 2007 and 2016. Hagerty’s works had been included in numerous curated group exhibitions, and, most notably, in the National Gallery of Australia’s landmark Know My Name exhibition. Winner and finalist of numerous art prizes (most recently, Marie won the Calleen Art Award (Cowra Regional Gallery, 2023), and the subject of numerous articles and reviews, Marie’s works have been acquired by the National Gallery of Australia, National Gallery of Victoria, Gallery of Modern Art / Queensland Art Gallery, Art, Art Gallery of Western Australia, the Artbank, Canberra Museum and Art Gallery, regional galleries of Ballarat, Bendigo, and Gold Coast, as well as tertiary, corporate, and private collections across Australia and abroad.
Works
  • Beret
    Beret, 2023
    Marie Hagerty
    Acrylic and oil on board
    42 x 30 cm
    $ 4,000.00
    Marie Hagerty, Beret, 2023
    $ 4,000.00
  • Bust
    Bust, 2023
    Marie Hagerty
    Acrylic and oil on board
    41 x 41 cm
    $ 4,500.00
    Marie Hagerty, Bust, 2023
    $ 4,500.00
  • Dance
    Dance, 2024
    Marie Hagerty
    Acrylic and oil on canvas
    157 x 274 cm
    $ 28,000.00
    Marie Hagerty, Dance, 2024
    $ 28,000.00
  • Eclipse
    Eclipse, 2026
    Marie Hagerty
    Oil and acrylic on board
    41x41cm
    $ 4,000.00
    Marie Hagerty, Eclipse, 2026
    $ 4,000.00
  • Eclipse
    Eclipse, 2023
    Marie Hagerty
    Acrylic and oil on board
    41 x 31 cm
    $ 4,000.00
    Marie Hagerty, Eclipse, 2023
    $ 4,000.00
  • Habitual
    Habitual, 2026
    Marie Hagerty
    Acrylic and Oil on Canvas
    157x137cm
    $ 15,000.00
    Marie Hagerty, Habitual, 2026
    $ 15,000.00
  • Henry 2
    Henry 2, 2023
    Marie Hagerty
    Acrylic and oil on board
    52 x 41 cm
    $ 4,500.00
    Marie Hagerty, Henry 2, 2023
    $ 4,500.00
  • Ideogram
    Ideogram, 2023
    Marie Hagerty
    Acrylic and oil on canvas
    157 x 137 cm
    $ 15,000.00
    Marie Hagerty, Ideogram, 2023
    $ 15,000.00
  • Josephine
    Josephine, 2024
    Marie Hagerty
    Charcoal, pen, acrylic, spray paint on polyester blind
    200 x 180 cm
    $ 20,000.00
    Marie Hagerty, Josephine, 2024
    $ 20,000.00
  • King of Queens
    King of Queens, 2025
    Marie Hagerty
    Acrylic and oil on canvas
    191x91cm
    $ 12,000.00
    Marie Hagerty, King of Queens, 2025
    $ 12,000.00
  • The human comedy
    The human comedy, 2025
    Marie Hagerty
    Acrylic on canvas
    200 x 180 cm
    $ 20,000.00
    Marie Hagerty, The human comedy, 2025
    $ 20,000.00
  • The Human Comedy 1
    The Human Comedy 1, 2026
    Marie Hagerty
    Acrylic and oil on canvas
    157x137 cm
    $ 15,000.00
    Marie Hagerty, The Human Comedy 1, 2026
    $ 15,000.00
  • The Human Comedy 3
    The Human Comedy 3, 2026
    Marie Hagerty
    Acrylic and oil on canvas
    157x137 cm
    $ 15,000.00
    Marie Hagerty, The Human Comedy 3, 2026
    $ 15,000.00
  • The Human Comedy II
    The Human Comedy II, 2026
    Marie Hagerty
    Acrylic and oil on canvas
    191x91cm
    $ 12,000.00
    Marie Hagerty, The Human Comedy II, 2026
    $ 12,000.00
  • Ubu 2
    Ubu 2 , 2015
    Marie Hagerty
    oil on canvas
    152 x 279 cm
    $ 24,000.00
    Marie Hagerty, Ubu 2 , 2015
    $ 24,000.00
  • Balluba 2
    Balluba 2, 2019
    Marie Hagerty
    Acrylic and oil on canvas
    86 x 66 cm
    Sold
Biography

“....what really makes these works so effective is the optical trickery they employ. By the subtle shading of the squares and a clever manipulation of the black lines separating them, Hagerty creates a beguiling impression of three dimensionality. As you stand there, each plane seems to push out from the one 'behind' it, so that each painting has its own aura of quiet movement and mystery.”

The Sydney-born, Canberra-based Marie Hagerty, painter, sculptor, and teacher, has been exhibiting regularly since the late 1980s in Canberra (with Ben Grady Gallery and Nancy Sever Gallery), Sydney (with the Olsen Gallery), and Melbourne (with Christine Abrahams Gallery and Karen Woodbury Gallery). She was the subject of solo survey exhibitions at Canberra Museum and Art Gallery in 2007 and 2016.
 
Hagerty’s works have been included in curated group exhibitions across Australia, most notably at the National Gallery of Australia, Canberra Museum and Art Gallery, Canberra Contemporary Art Space, Drill Hall Gallery (the Australian National University), and Glassworks in Canberra; the National Gallery of Victoria, Heide Museum of Modern Art, RMIT University, and the Ian Potter Museum of Art (the University of Melbourne) in Melbourne; Australian Design Centre and the SH Ervin Gallery in Sydney; the Gallery of Modern Art / Queensland Art Gallery in Brisbane; as well as numerous regional and tertiary galleries. Most notably, in 2021, Marie Hagerty’s works were included in the National Gallery of Australia’s landmark Know My Name exhibition.
 
Marie is the winner of Canberra Art Prize (2003), the John McCaughey Memorial Prize (NGV, Melbourne, 2004), Conrad Jupiter’s Art Prize (HOTA, Gold Coast, 2005), Calleen Art Award (Cowra Regional Gallery, 2023) as well as the recipient of numerous Australian and International grants and residencies. She was also the finalist in the Moet & Chandon Art Prize (1995), Geelong Contemporary Art Prize (2004, 2016), Wynne Prize (AGNSW, 2005, 2006, 2007), and Guirguis Art Prize (Art Gallery of Ballarat, 2019).
 
Marie’s works have been acquired by the National Gallery of Australia, National Gallery of Victoria, Gallery of Modern Art / Queensland Art Gallery, Art, Art Gallery of Western Australia, the Artbank, Canberra Museum and Art Gallery, regional galleries of Ballarat, Bendigo, and Gold Coast, as well as tertiary, corporate, and private collections across Australia and abroad.
 
Hagerty has a very effective and curiously unusual hybrid approach, both in her techniques of painting, employing traditional oils and modern acrylic, as well as in her conceptual framework. She seamlessly combines within a non figurative composition seemingly figurative elements realised within a high degree of verisimilitude to surfaces and textures. The inclusion of a woman's leg, face or torso, usher the paintings into an ambiguous realm, where there is a perception that some sort of feminist narrative is implied by not explicitly stated. Above all, her paintings display a high degree of visual intelligence in their subtle play of push and pull optics across the sensuous rolling surface.
 
“....what really makes these works so effective is the optical trickery they employ. By the subtle shading of the squares and a clever manipulation of the black lines separating them, Hagerty creates a beguiling impression of three dimensionality. As you stand there, each plane seems to push out from the one 'behind' it, so that each painting has its own aura of quiet movement and mystery.”
Exhibitions
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