Eubena Nampitjin (1930–2013) was a seminal figure in Australian Indigenous art, renowned for her contributions to the contemporary Aboriginal artistic landscape. Born in the heart of the Great Sandy Desert near Well 33 on the Canning Stock Route, Nampitjin's early life was deeply rooted in the cultural traditions of the Wangkajunga people.

Relocating to the Catholic mission near Lake Gregory in 1948 and later to Wirrimanu (Balgo Hills) in 1962, Nampitjin emerged as a central figure within the burgeoning artistic community. Her artistic journey commenced in the mid-1980s under the mentorship of Michael Rae, the esteemed art coordinator at Warlayirti Artists.

Collaborating extensively with her second husband, Wimmitji Tjapangarti, Nampitjin's early works were characterized by intricate designs and vivid colors, evoking the essence of the desert landscape and its cultural significance. As her artistic voice evolved, she embarked on a solo path, producing a prolific body of work marked by dynamic gestural dots and vibrant hues.

Nampitjin's art transcended mere visual representation, offering profound insights into Aboriginal spirituality and connection to country. As professor John Carty noted the works are not of, or about country, they are country. They are the the practice and amifesttation of the deep connative term that is country. Her paintings garnered widespread acclaim, establishing her as Balgo's foremost artist and earning her recognition both nationally and internationally.

Even in her later years, Nampitjin's passion for painting remained undiminished, her spirit infused into each brushstroke as she perpetually renewed her connection to country. Her passing in 2013 marked the end of an era, but her artistic legacy endures as a testament to Aboriginal creativity and cultural heritage, inspiring generations to come.