The act of collecting lies at the heart of his practice, which is informed by the accumulation of photographs, anatomical diagrams and archival material that ranges from molecular structures, graphs, and cellular images - to CT and MRI scans of his brain following an ABI that was incurred in 2015.
Sean McDowell is an emerging, German-born artist based in Melbourne (Naarm), Australia. Working primarily across painting, drawing and exhibition-making, his practice is inspired by a cross-disciplinary approach, which ranges from his interests in psychology, biology and microscopy – to neuroscience, geology and spirituality. Located at the intersection of art and science, his artworks contribute to the rich history of Abstraction, paired together with subject matter that has been informed by collective narratives and lived experiences of disease, illness, trauma and violence. Embodying a strong sense of hope and optimism for the future, his work provides a message intended to inspire growth, healing and interconnection between all living things.
Driven by a passionate, ongoing engagement with the poetics of materiality and mindfulness-based processes, McDowell is fascinated by imagery that oscillates between representation and abstraction – observation and the imagination. Considering the interconnectedness between conscious and subconscious levels of understanding, his artworks allow the potential for different views and interpretations to arise from within the viewer. The act of collecting lies at the heart of his practice, which is informed by the accumulation of photographs, anatomical diagrams and archival material that ranges from molecular structures, graphs, and cellular imagery - to CT and MRI scans of his brain following an ABI that was incurred in 2015.
Consisting of intricate patterns, organic shapes and energetic line networks, McDowells’ work offers an idiosyncratic portrayal of the microscopic cells that make up the basic structural and functional units of all carbon based lifeforms. Resembling biological matter - ranging from healthy to deteriorating - he is fascinated with the relationship between micro and macro, where fractals repeat self-similarly. Depicting magnified imagery of blood, skin, molecules and synapses, McDowell invites us to consider our complex relationship to ourselves and the natural world.
Rendered through the application of translucent glazes, McDowells’ visual language uses contrasting colours, depth, texture and scale to create work that evokes various sensual, emotional and psychological states. Throughout the process, he uses a combination of brushes, sponges, drip bottles, rags and scraper tools to form multi-layered surfaces that shift and fluctuate across the surface. Deeply attuned to the phenomena of perception, McDowells’ practice offers a glimpse into the awe-inspiring world of microorganisms that forms, connects and surrounds all universal matter.