Watson’s artistic practice centres on themes of architectural and natural decay. He is deeply drawn to abandoned, eroded or deteriorating structures and landscapes, treating them as repositories of memory, emotional residue and stories of presence and absence. His paintings frequently bridge the boundary between figuration and abstraction, incorporating suggestions of anthropomorphic forms or fragmented terrains. Influences from graffiti, industrial surfaces and weathered environments are evident throughout his work, creating an aesthetic where structure and entropy coexist.
His working process is characterised by a dynamic interplay between spontaneity and control. Watson builds layered surfaces through gestural mark-making, textural contrasts and chromatic shifts, seeking a moment in which a painting “surprises” him and exceeds his own expectations. This philosophy of embracing uncertainty allows his work to evolve in ways that remain open, responsive and alive. The resulting compositions often contain a palpable tension, suggesting instability, erosion and the passage of time.
Watson has exhibited widely across Australia, with several notable solo exhibitions. These include Density (2025) at Edwina Corlette Gallery in Brisbane and earlier solo exhibitions at DuckRabbit Gallery in Sydney. His work has also appeared in numerous group exhibitions in Sydney, Melbourne and Newcastle, demonstrating his growing national presence within contemporary Australian painting.
He has received significant recognition early in his career. Watson was awarded an international residency at Château Orquevaux in France in 2019, an experience that contributed to the development of his artistic language. He has also been a finalist in several respected art prizes, including the Lloyd Rees National Emerging Artist Prize, the Brenda Clouten Memorial Scholarship, and the Newcastle Emerging Artist Prize. These accolades reflect both his technical commitment and the conceptual depth of his work.
Today, Watson continues to develop a body of work that explores memory, transformation and the material traces left by human and environmental histories. Working at the intersection of abstraction, architecture and emotional resonance, he offers a distinct and evolving contribution to contemporary Australian art.